Storyboards

The shot of the main character knocking on the door became a static shot with no zoom, as I felt it added to the tension if it seemed that the audience was watching the scene through the eyes of someone watching from afar as if too afraid to approach. The shot with the dead person showed her face in the final edit as it made it a much more striking image.

The indoor scene became the scene where the main character comes into the house because I felt that it was more dramatic is events seemed to suddenly escalate.

The high angle shot proved impossible to film and was instead a straight angle.

The close ups here were instead medium long shots as they were easier to film and helped show that the characters were not in the same place.

The shot without the ghost was scrapped and replaced with the close up of bloody wrists.

The long shot of the ghost was replaced by the mirror shot.

Additional angles were added in the conversation scene.

Once again, the montage was changed in the final edit.Here, the montage was changed and extra parts were added, as detailed in the evaluation.

These are the storyboards I drew early on in the project. They give nothing more than the most basic outline of what happens in each shot, and a few shots have changed since I first drew them, but the general idea remains the same. The running order is from bottom to top. Notes are put underneath some sheets to explain changes made in the filming process.